Archives
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The Reel Eye
Vol. 21 No. 1 (2023)Guest editors: Márta Hargitai and Andrea Velich
Errata:
The paragraph on p. 3 should read: Natália Pikli (ELTE) explores the connection between Shakespeare and the popular film industry, in specific, how and why Shakespearean allusions and adaptations can contribute to box office success. Her paper includes case studies of Romeo+Juliet (dir. Baz Luhrmann, 1996), Shakespeare in Love (dir. John Madden, 1998), Joss Whedon’s film noir-inspired Much Ado About Nothing (2012), and Richard Eyre’s film of King Lear (2018), arguing that success relies on some form of crossover effect. -
Burgess and Droogs: A Post-Centennial Collection of Essays
Vol. 20 (2022)Issue editors: Ákos Farkas, Evgeniya Laverycheva, Dániel Panka
Anthony Burgess, “Imperfect Man” © The International Anthony Burgess Foundation 2022
If you would like to order a print copy of this issue (which contains the entire text, published here for the first time, of Anthony Burgess’s "Imperfect Man"), please reach out to us at anachronist [dot] journal [at] gmail [dot] com
