Vol. 9 (2003)

View Vol. 9 (2003)

DOI: https://doi.org/10.53720/BHGL6264

Published: 01-01-2003

Articles

Editing Shakespeare for the Stage A Comparative Analysis of Act I Scene iv of Romeo and Juliet

Katalin Tabi

1–28
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'It is not so, nor 'twas not so' Funny Words and the Role-Playing of 'Double-Tongues' in Much Ado about Nothing

Géza Kállay

29–45
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An Ontological Transgression Iago as Representation in Its Pure Form

Ágnes Matuska

46–64
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Predestination in Milton's Paradise Lost and De Doctrina Christiana Reply to Paul Sellin

Larisa Kocic

65–84
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The Ending of 'Tintern Abbey' and Paul de Man's Theory of the Performative Nature of Language

János Barcsák

85–109
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Dance of the Marionettes Arthur Symons and Symbolist Theatre

Tom Hubbard

110–116
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The Children of the Empire Anti-Imperialism in Frances Hodgson Burnett's The Secret Garden

György Tóth

117–147
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'A Pinch of Romance in the Commercial Kitchen' Tropes of Transformation in Lord Jim

Tamás Juhász

148–172
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Rosencrantz and Guildenstern Meet Edward II A Study in Intertextuality

Boldizsár Fejérvári

173–196
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'As if History Could Be Circumvented' Undying Memories in Graham Swift's The Sweet Shop Owner

Stef Craps

197–222
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Cloud 9, Metadrama, and the Postsemiotics of the Subject

Attila Kiss

223–232
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Reviews

The World and Work of Brian Friel Interview with Richard Pine

Mária Kurdi

233–251
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"The love of letters half preserves the past"

Bálint Gárdos

252–259
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"Unsettling Con-sequence"

Móni Kálmán

260–264
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