Vol. 18 No. 1 (2018): Disbelief in Romanticism

Articles

• The New Series of The AnaChronisT

  Zsolt Komáromy

  2–3

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• Disbelief in Romanticism

  Andrea Timár

  4

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• Samuel Taylor Coleridge’s Willing Belief in the Logos of Shakespeare and “The Rime of the Ancient Mariner”

  Géza Kállay

  8–16

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• Disbelief in Disbelief William Blake and the Moravian Brethren

  Ágnes Péter

  17–31

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• Demonstration and Damnation William Blake’s Eternal Death of Unbelief

  Joshua Schouten de Jel

  32–57

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• Disbelief in Historical Examples The Hampden-Milton-Cromwell Passage in Thomas Gray’s Elegy Written in a Country Churchyard

  Bálint Gárdos

  58–70

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• Disbelief and the Aesthetic Literary, Experimental and Prophetic Language in Joseph Priestley

  Stephen Bygrave

  71–82

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• The “Strange Self-power in the Imagination” Epilepsy, Fancy and Disbelief in the Writings of Coleridge, Erasmus Darwin and Thomas Beddoes

  Kimberley Page-Jones

  83–100

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• Poetics of Un/feeling T. S. Eliot, Coleridge, Shakespeare

  Veronika Ruttkay

  101–122

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• The Poet as Maker Moral Didacticism and Prophetic Inspiration in Sidney and Shelley’s Platonic Conceptions of the Poet

  Michael Raiger

  123–143

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• “How can I describe my emotions at this catastrophe...?” Frankenstein, Walton and the Monster

  Sibylle Erle

  144–167

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• A Nation Once Again? Faith and Criticism of National Ideas in Romantic and post-Romantic Irish Literature

  József Pap

  168–180

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• “People do not, as a rule, believe in Vampires!” Nineteenth-Century Sexology and “The True Story of a Vampire” by Count Eric Stenbock

  Zsolt Bojti

  181–196

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• Disbelief Against Disbelief The Cases of Goodwife Agnes and Mrs. Larkin: A comparative analysis of János Arany’s ballad “Goodwife Agnes” and Eudora Welty’s story “A Curtain of Green”

  Katalin Kállay G.

  197–206

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