Vol. 1 (1995)

Articles

• Mission Statement

  Ágnes Péter

  v

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• Word and Image in the 'General Prologue' to the Canterbury Tales

  Anikó Daróczy

  1–27

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• The Rhetoric of Wounds Persuasion in Julius Caesar

  András Kiséry

  28–59

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• Being and Becoming A Background to the Love Poetry of John Donne

  Zsolt Komáromy

  60–88

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• Time in Milton's Paradise Lost

  Gábor Ittzés

  89–105

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• The Narrative in Danger—Endangered Narrators Laurence Stern and Samuel Beckett

  Árpád Mihály

  106–133

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• Blake's Fourth Fold Tharmas

  Dóra Csikós

  134–151

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• Shelley 'Piercing the Infinite Sky’

  Zsuzsa Fehér

  152–166

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• Love and Loss Reconsidered Two Versions of a Rossetti Painting

  Katalin Sinóros Szabó

  167–174

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• The Universe in Tess of the D'Urbervilles and Jane Eyre

  Eszter Kiss

  175–185

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• The Love Song of J. Alfred Prufrock An Analysis

  András Szigeti

  186–196

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• The Way Out is the Way In An Essay on T. S. Eliot's Four Quartets

  Mónika Mesterházi

  197–210

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• Annunciation The Proclamation of the Word in the Four Quartets

  Benedek Péter Tóta

  211–242

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• Epistemology and Existential Thought in Virginia Woolf's Mature Novels

  Orsolya Frank

  243–269

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• 'Epiphanies' and Rebellion against Paternity in A Portrait of the Artist as a Young Man

  Judit Nényei

  270–278

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• Narrational Dialectic in Joyce's A Portrait of the Artist

  Réka Gáborjáni Szabó

  279–295

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• Burgess Re Joyce or Burgess De-Joyced?

  Ákos Farkas

  296–305

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• On Anne Sexton's Transformations Inner Structure and the 'Quest Motif’

  Rita Horváth

  306–325

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• Twin Artists of Narration Peter Greenaway and John Barth

  Judit Friedrich

  326–348

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