Vol. 20 (2022): Burgess and Droogs: A Post-Centennial Collection of Essays

Issue editors: Ákos Farkas, Evgeniya Laverycheva, Dániel Panka

Anthony Burgess, “Imperfect Man” © The International Anthony Burgess Foundation 2022

If you would like to order a print copy of this issue (which contains the entire text, published here for the first time, of Anthony Burgess’s "Imperfect Man"), please reach out to us at anachronist [dot] journal [at] gmail [dot] com

DOI: https://doi.org/10.53720/KLNA2796

Published: 11-01-2023

Articles

Foreword

Dániel Panka, Evgeniya Laverycheva

6–8
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Anthony Burgess as Literary Biographer

Andrew Biswell

10–25
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How to Lose a Musical Compass in a Few Hundred Lines? (And How to Find it again?) Adventures of a Twentieth-Century and an Early Romantic Composer in a Waste Land

Gábor Bodnár

26–37
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Beyond Nadsat The Many Invented Languages of Anthony Burgess

Jim Clarke

38–69
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The Cyclical Nature of History, according to Anthony Burgess in the Light of the Augustinian–Pelagian Dichotomy of The Wanting Seed

Zsolt Czigányik, Judit Bánházi

70–87
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Lilies that Fester The Clockwork Testament as a Campus Novel

Ákos Farkas, Evgeniya Laverycheva

88–101
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The Ludovico Effect of Intermediality in A Clockwork Orange The Novel and the Film

Hajnal Király

102–119
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Burgess in the Orwell Game 1985 as Cacotopian Ars Poetica

Károly Pintér

120–141
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Fictional Manchesters in the Work of Anthony Burgess

Rob Spence

142–154
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The Private, the Fictional, and the Musical in Anthony Burgess’s Lives: Intersections of the Biographical Kind

Mária Palla

156–161
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Abdulrazak Gurnah A Brief Reflection

Anthony Levings

162–164
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Imperfect Man

Anthony Burgess

166–184
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