Vol. 8 (2002)

View Vol. 8 (2002)

DOI: https://doi.org/10.53720/MEMW9238

Published: 01-01-2002

Articles

Miracle-Working Poetry, Poetry Worth a Miracle? The Cædmon Story Yet Again

Katalin Halácsy Scholz

1–8
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Actor or Author John Wyclif's Teaching and Fame as Authorship of History

Elemér Boreczky

9–26
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Novelties or 'Common Maxims' Problems of Originality and Genius in Young's Conjectures

Rita Dózsai

27–43
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Interpreting Hamlet, 1812–13 Coleridge's Romantic Hermeneutic Experiment

Veronika Ruttkay

44–78
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Imagination Disconnected On Chapter XIII of Biographia Literaria

Andrea Timár

79–111
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Negative Capability Keats's and Coleridge's Metaphors for Poetic Creativity

Katalin Pálinkás

112–128
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The Nineteenth-Century Theatres of Gábor Egressy and William Charles Macready

Gabriella Reuss

129–150
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Mailing Versus Blackmailing Senses of Delivery in Edgar Allan Poe's 'The Purloined Letter'

Katalin Kállay G.

151–163
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'Disembodied Spirits' Revisiting Manderley The Construction of Female Subjectivity in du Maurier's Rebecca

Márta Kőrösi

164–179
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Appropriating Left-Speech Women Writing During the American Depression

Andrea Szabó F.

180–189
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Image and Imagination in the Ekphrastic Tradition

Tünde Varga

190–215
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Intention and Interpretation in Literary Theory and Legal Hermeneutics

János Kenyeres

216–227
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'Close, But Not Touching' Readings and Misreadings in John Fowles's The Collector

Tamás Tukacs

228–249
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The Faces of the Other Configurations of Alterity in Emmanuel Levinas and Harold Pinter

Iván Nyusztay

250–263
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Wild Words Jazzing the Text of Desire—Subversive Language in Toni Morrison's Jazz

Anna Kérchy

264–287
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Who's Afraid of Content-Driven Criticism? An Introduction to Erica Jong for the Brave

Judit Friedrich

288–296
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Reviews

An Interview with J. Hillis Miller

István Adorján

297–302
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'I'm a Tradesman' Interview with Ádám Nádasdy, the Translator

Márta Minier

303–314
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An Everlasting Gospel

Dóra Csikós

315–318
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Modern Irish Drama in Perspective

Mária Kurdi

319–326
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That Fantastic Century

Gergely Nagy

327–338
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Beauty Is Almost Truth

Péter Pölczmann

339–343
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Errata

Zsolt Bojti
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