Vol. 6 (2000)

View Vol. 6 (2000)

DOI: https://doi.org/10.53720/ZJWS4930

Published: 01-01-2000

Articles

Saint Guthlac, the Warrior of God in the Guthlac Poems of the Exeter Book

Ágnes Réffy Horváth

1–28
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Shepherds, Regents and Lecherous Widows Strategies of Power in Middle English Literature

Kathy Cawsey

29–50
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The Crossing Point of Tears and Laughter A Tragic Farce—Shakespeare's Titus Andronicus

Natália Pikli

51–69
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Monster-Like Angel and Angelic Monster 'Custom' in Francis Bacon

Zsolt Almási

70–87
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Veritas Filia Temporis, or Shakespeare Unveiled? Macready's 1834 Restoration of Shakespeare's King Lear

Gabriella Reuss

88–101
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The Unreadability of the Bildungsroman Reading Jane Eyre Reading

Ildikó Csengei

102–138
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She-Who-Must-Be-Obeyed Rider Haggard's Victorian Romance about She, the Veil, and the Subject of Mâladie

György Kalmár

139–166
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'Doorways to Things Beyond' The Question of Religion in Walter Pater's Works

Sára Tóth

167–185
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Unorthodox Theists Thomas Hardy and Percy Bysshe Shelley

Noémi László

186–201
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The Voice and the Facts Ideological Transactions in Conrad's Secret Agent

Tamás Juhász

202–228
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'After such knowledge, what forgiveness?' The Quest for Spiritual Integrity in 'Gerontion' and the Book of Job

Zsuzsa Angela Láng

229–248
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White Light J. G. Ballard's Empire of the Sun as a War Story

Tamás Bényei

249–277
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The Narrative Paradox The Virus of Nothingness in Samuel Beckett's Watt

György Dragomán

278–291
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When Now? Beckett's Footfalls, Theatrical Chronology and Memory

Paul Stewart

292–302
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Sensational Implications Kurt Vonnegut's Player Piano

Donald E. Morse

303–314
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Defiance against God A Gay Reading of Go Tell It on the Mountain by James Baldwin

Csaba Csapó

315–326
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Mabo and the Paradigm Shift in Australian Historiography

Gabriella T. Espák

327–345
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Reviews

Apocalypse without End

Veronika Ruttkay

346–350
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Born a Woman and Made a Woman Women's Narratives and their Authority

Beáta Sándor

351–358
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