Abstract
Our study examines the professional career, ecclesiastical and public engagement, and scholarly activity of Gabriella Victor (1891-1971) through the self-image she constructed in her autobiography, submitted in 1950 alongside her academic treatise thesis at the Sárospatak Theological Academy. In analyzing this autobiography, we paid particular attention to her personal ambitions, the roles she assumed, and the deliberate narrative self-fashioning of her life course. Victor’s academic and public commitments, together with her private life, reflect both her personal dedication and the social constraints of her time. Her oeuvre demonstrates a balanced coexistence of transcendental vocation and individual ambition. The selection and emphasis of events and figures reflect conscious identity-construction decisions, which can be interpreted within their social and cultural context and form part of her self-representation.

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