A költészetről szóló költészet Pindarosnál
DOI:
https://doi.org/10.63872/UOOF7410Kulcsszavak:
Pindaros , metapoétika , kardalköltészet, epinikion, görög líraAbsztrakt
A tanulmány Pindaros költészetének metapoétikus dimenzióit vizsgálja, vagyis azt, miként reflektál a kardalköltészet önnön formájára, működésére és társadalmi szerepére. A győzelmi ódák különösen gazdagok olyan poétikai eljárásokban és képekben, amelyek a dal eredetét, műfaját és funkcióit tematizálják. Az elemzés rámutat, hogy Pindaros költői nyelve a tradíció és az innováció feszültségében bontakozik ki: a dal egyszerre hordozza az isteni ihlet és a mesterségbeli tudás jegyeit, s a kleos fenntartásának médiumaként működik. A metapoétikus önreflexió feltárja a költészet társadalmi beágyazottságát, valamint azt, miként válik a dicsőítés nem pusztán esztétikai, hanem ideológiai és közösségformáló aktussá. A tanulmány bemutatja a pindarosi esztétika kulcsfogalmait (eredetiség, poikilia, kairos, phthonos), és elemzi ezek kölcsönhatását a műfaji hagyományokkal és a performativitás poétikájával.
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