Perseus, a szatírgyerek
A mindennapiság diszkrét bája Aischylos Hálóhúzók című szatírdrámájában
DOI:
https://doi.org/10.63872/YKDD7832Keywords:
Aeschylus, satyr play, The Net FishersAbstract
This study reconstructs the figure of young Perseus in Aeschylus’ lost satyr play Net-Haulers, drawing on fragmentary texts and visual evidence. Through a combination of philological and iconographic analysis, it argues that the satyr play employed grotesque and playful representations of childhood to reconfigure mythological heroes within a comedic mode. The satyric child figure, simultaneously divine and ridiculous, destabilizes the boundary between mythical grandeur and everyday mundanity. The paper explores the theatrical and cultural implications of this duality and suggests that the effectiveness of such representations depended heavily on the audience’s visual literacy and familiarity with mythological codes.
References
Antonopoulos, A. P. 2021. "Introduction: What is Satyr Drama?": Antonopoulos-Christopoulos-Harrison 2021, 1-36. https://doi.org/10.1515/9783110725230-001
Antonopoulos, A. P. - Christopoulos, M. M. - Harrison, G. W. M. (szerk.) 2021. Reconstructing Satyr Drama. Berlin-Boston. https://doi.org/10.1515/9783110725230
Bakola, E. 2010. Cratinus and the Art of Comedy. Oxford. https://doi.org/10.1093/acprof:oso/9780199569359.001.0001
Bierl, A. 2006. "Tragödie als Spiel und das Satyrspiel": J. Sánchez de Murillo - M. Thurner (szerk.): Kind und Spiel. Stuttgart, 111-138.
Bolonyai G. 2024. "Az athéni Kancsók napja és Virágünnep": Ókor 23/1, 3-21.
Cerbo, E. 2015. "Metro e ritmo nel dramma satiresco (V-IV a. C.)": SemRom n.s. 4, 71-117.
Charalabopoulos, N. G. 2021. "Baby-Boomer: Silenos Paidotrophos in Aeschylus' Diktyoulkoi": Antonopoulos-Christopoulos-Harrison 2021, 395-408. https://doi.org/10.1515/9783110725230-018
Clairmont, C. 1953. "Studies in Greek Mythology and Vase-Painting": AJA 57, 92-94. https://doi.org/10.2307/501236
Coo, L. - Uhlig, A. 2019. "Introduction: Aeschylus at Play": BICS 62/2, 1-9. https://doi.org/10.1111/2041-5370.12103
Dettori, E. 2016. I Diktyoulkoi di Eschilo. Testo e commento. Contributo a lingua e stile del dramma satiresco. Roma.
Di Marco, M. 1991. "Il dramma satiresco di Eschilo": Dioniso 61, 39-61.
Di Marco, M. 2017. "What is the Function of the Satyr Play?": Polis, The Journal for Ancient Greek Political Thought 34, 432-448. https://doi.org/10.1163/20512996-12340136
Di Marco, M. 2023. "La tragedia e il dramma satiresco": SemRom n.s. 12, 67-85.
Duncan, A. C. 2023. "Visualising the Stage": J. A. Bromberg - P. Burian (szerk.): A Companion to Aeschylus. Hoboken, NJ, 214-229. https://doi.org/10.1002/9781119072348.ch16
Fellini, F. 1988. Mesterségem a film. Ford. Székely Éva. Budapest.
Fraenkel, E. 1942. "Aeschylus. New Texts and Old Problems": Proc. Brit. Acad. 28, 237-61.
Gábor S. 2023. "Szatírt játszó emberek, embert játszó szatírok. Egy kitharás szatírokat ábrázoló budapesti szküphosztöredék értelmezéséhez": Kárpáti A. (szerk.): A görög költészet elkallódott műfajai. Líra, zene, tánc az archaikus-klasszikus korban. Budapest, 13-43.
Gantz, T. 1993. Early Greeky Myth. Baltimore-London.
Goins, S. E. 1997. "The Date of Aeschylus' Perseus Tetralogy": RhM 140, 193-210.
Griffith, M. 2002. "Slaves of Dionysos: Satyrs, Audience, and the Ends of the Oresteia": ClAnt 22, 195-258 [= Griffith 2015, 14-70]. https://doi.org/10.1525/ca.2002.21.2.195
Griffith, M. 2005. "Satyrs, Citizens, and Self-Presentation": Harrison 2005, 161-199 [= Griffith 2015, 75-108]. https://doi.org/10.2307/j.ctv1n357r1.14
Griffith, M. 2008. "Greek Middlebrow Drama (Something to Do with Aphrodite?)": M. Revermann - P. Wilson (szerk.): Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford, 59-87 [= Griffith 2015, 146-169]. https://doi.org/10.1093/oso/9780199232215.003.0004
Griffith, M. 2015. Greek Satyr Play. Five Studies. Berkeley, CA.
Grüll T. 2014. "Halászat, haltenyésztés és halszószgyártás a Római Birodalomban": Ókor 13/3, 36-51.
Guggino, E. - Pagano, G. (szerk.) 1974. Musiche e canti popolari siciliani. Vol. 1. Canti del lavoro. Albatros LP VPA 8206. Recordings by E. Guggino, G. Pagano, S. Siino.
Hall, E. 1998. "Ithyphallic Males Behaving Badly, or, Satyr Drama as Gendered Tragic Ending": M. Wyke (szerk.): Parchments of Gender. Deciphering the Bodies of Antiquity. Oxford, 14-37. https://doi.org/10.1093/oso/9780198150800.003.0002
Hamilton, R. 1987. "Cries within and the Tragic Skene": AJP 108, 585-599. https://doi.org/10.2307/294779
Hamilton, R. 1992. Choes and Anthesteria. Athenian Iconography and Ritual. Ann Arbor.
Harrison, G. W. M. (szerk.) 1995. Satyr Drama: Tragedy at Play. Swansea.
Harvey, D. 2005. "Tragic Thrausmatology: the Study of the Fragments of Greek Tragedy in the Nineteenth and Twentieth Centuries": F. McHardy - J. Robson - D. Harvey (szerk.): Lost Dramas of Classical Athens. Greek Tragic Fragments. Exeter, 21-48. https://doi.org/10.5949/liverpool/9780859897525.003.0003
Hedreen, G. 2021. "Sex, Lo ve, and Marriage in Dionysiac Myth, Cultural Theory, and Satyr Drama": Antonopoulos-Christopoulos-Harrison 2021, 695-716. https://doi.org/10.1515/9783110725230-031
Heinemann, A. 2016. Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. Berlin-Boston. https://doi.org/10.1515/9783110222241
Hunt, A. S. (szerk.) 1912. Oxyrhynchus Papyri. vol. 9. London.
Hunter, R. - Lämmle, R. (szerk) 2020. Euripides: Cyclops. Cambridge.
Iozzo, M. 2018. "Hidden Inscriptions on Athenian Vases": AJA 122, 397-410. https://doi.org/10.3764/aja.122.3.0397
Isler-Kerényi, C. 2015. Dionysos in Classical Athens. An Understanding through Images. Ford. A. Beerens. Leiden-Boston. https://doi.org/10.1163/9789004270121
Jackson, L. C. M. M. 2021. "Metre, Movement and Dance in Satyr Drama": Antonopoulos-Christopoulos-Harrison 2021, 195-193. https://doi.org/10.1515/9783110725230-009
Jahn, O. 1868. "Perseus, Herakles, Satyrn auf Vasenbildern und das Satyrdrama": Philologus 27, 1-27. https://doi.org/10.1515/phil-1868-0105
Johnson, W. A. 2004. Bookrolls and Scribes in Oxyrhynchus. Toronto-Buffalo-London. https://doi.org/10.3138/9781442671515
Karamanou, I. 2006. Euripides: Danae and Dictys. Introduction, Text and Commentary. München - Leipzig. https://doi.org/10.1515/9783110938739
Karanika, A. 2014. Voices at Work. Women, Performance, and Labor in Ancient Greece. Baltimore. https://doi.org/10.1353/book.29442
Kárpáti A. 2022. "Dialog hinter den Worten. Zu den dramaturgischen Augenblicken des Wechsels zwischen Gesang und Sprechversen auf der Bühne des Aischylos": Eranos 113, 1-22. https://doi.org/10.33063/er.v113i.197
Kéi, N., 2022. L'esthétique des fleurs: kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère. Berlin-Boston. https://doi.org/10.1515/9783110465259
Kousoulini, V. 2015. "A Satyric Lullaby in Aeschylus' Net-Haulers (fr. 47a Radt)?": Euphrosyne 43, 9-22. https://doi.org/10.1484/J.EUPHR.5.125464
Krumeich, R. 2021. "Images of Satyrs and the Reception of Satyr Drama-Performances in Athenian and South Italian Vase-Painting": Antonopoulos-Christopoulos-Harrison 2021, 587-635. https://doi.org/10.1515/9783110725230-028
Lämmle, R. 2013. Poetik des Satyrspiels. Heidelberg. https://doi.org/10.33675/978-3-8253-7381-8
Lightfoot, J. 2021. Wonder and the Marvellous from Homer to the Hellenistic World. Cambridge. https://doi.org/10.1017/9781009003551
Lissarrague, F. 1990. "Why Satyrs Are Good to Represent?": J. J. Winkler - F. Zeitlin (szerk.): Nothing to Do with Dionysus? Athenian Drama in its Social Context. Princeton, 228-336. https://doi.org/10.1515/9780691215891-011
Lissarrague, F. 2013. La cité des satyres. Paris.
Lloyd-Jones, H. 2006 [1956]. "Appendix": H. Lloyd-Jones (szerk.): Aeschylus: Agamemnon, Libation-Bearers, Eumendies, Fragments. [Loeb Classical Library] Cambridge MA - London, 523-598.
Luschey, H. 1949-1951. "Danae auf Seriphos": BABesch 24-26, 26-28. https://doi.org/10.1259/0007-1285-24-277-26
Lytle, E. - Sells, D. 2020. "Satyrs Scenes and Comic Scenes. Netfishing in Aristophanes' Peace": CPh 115, 365-401. https://doi.org/10.1086/709452
Mayer Gy. (ford.) 1995. "[Phaléroni] Démétrios: A nyelvi kifejezésmódról (peri herméneias)": Antik Tanulmányok 39, 179-209.
McManus, D. 2003. No Kidding! Clown as Protagonist in Twentieth-Century Theater. Newark - London.
Mette, H. J. 1959. Die Fragmente der Tragödien des Aischylos. Berlin. https://doi.org/10.1515/9783112573907
Moraw, S. 1998. Die Manäde in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr. Mainz am Rhein.
Pritchett, H. N. 2021. "When does a Satyr become a Satyr? Examining Satyr Children in Athenian Vase-Painting": Antonopoulos-Christopoulos-Harrison 2021, 717-734. https://doi.org/10.1515/9783110725230-032
Norsa, M. - G. Vitelli, G. 1934. "Nuovi frammenti di Eschilo in Papiri della Società Italiana": Annuaire de l'Institut de Philologie et d'Histoire orientales Bruxelles ("Mélanges Bidez") 2, 965-978.
Norsa, M. - Vitelli, G. 1933. "Frammenti eschilei in Papiri della Società Italiana": Bulletin de la Société Royale d'Archéologie d'Alexandrie 28, 107-121.
O' Sullivan, P. - Collard, Ch. (szerk.) 2013. Euripides Cyclops and Major Fragments of Greek Satyric Drama. Oxford. https://doi.org/10.3828/liverpool/9781908343352.001.0001
O'Sullivan, P. 2019. "Aeschylus' Diktyoulkoi: A Typically Atypical Satyr Play?": BICS 62/2, 49-65. https://doi.org/10.1111/2041-5370.12106
Oakley, J. H. 1982. "Danae and Perseus on Seriphos": AJA 86, 111-115. https://doi.org/10.2307/504297
Palmisciano, R. 2014. "Dramatic Actions from Archaic Iconographic Sources: the Domain of the Satyrikon": G. Colesanti - M. Giordano (szerk.): Submerged Literature in Ancient Greek Culture. An Introduction. Berlin - Boston, 107-127. https://doi.org/10.1515/9783110334081.107
Pfeiffer, R. 1938. "Die Netzfischer des Aischylos und der Inachos des Sophokles. Zwei Satyrspiel-Funde": SBBAW 1938/2, 1-63.
Podlecki, A. J. 2005. "Aiskhylos Satyrikos": Harrison 2005, 1-19. https://doi.org/10.2307/j.ctv1n357r1.6
Ramelli, I. 2009. Eschilo. Tutti i frammenti. Con la prima traduzione degli scolii antichi. Milano.
Redondo, J. 2021. "Satyrs Speaking like Rhetors and Sophists": Antonopoulos-Christopoulos-Harrison 2021, 175-193. https://doi.org/10.1515/9783110725230-008
Reinfelder, M. 2017. "New Readings and Conjectures on Aeschylean Papyrus Fragments": L. Austa (szerk.): Frammenti sulla scena. Vol. I. Studi sul dramma antico frammentario. Alessandria, 39-58.
Rossi, L. E. 2020a [1971]: "Il Ciclope di Euripide come κῶμος »mancato«": κηληθμῷ δ᾽ ἔσχοντο. Scritti editi e inediti, II (szerk. G. Colesanti - R. Nicolai). Berlin-Boston, 461-486 [= Maia 1971/n.s. 23, 10-38]. https://doi.org/10.1515/9783110648126-033
Rossi, L. E. 2020b [1972]: "Il dramma satiresco attico. Forma, fortuna e funzione di un genere letterario antico": κηληθμῷ δ᾽ ἔσχοντο. Scritti editi e inediti, II (szerk. G. Colesanti - R. Nicolai). Berlin-Boston, 487-536 [= DArch 1972/6/2-3, 248-302]. https://doi.org/10.1515/9783110648126-034
Schauenburg, K. 1960. Perseus in der Kunst des Altertums. Bonn.
Seaford, R. 1976. "On the Origins of Satyric Drama": Maia n. s. 28/3, 209-221.
Seaford, R. 1984. Euripides: Cyclops. Oxford.
Seaford, R. 2012. Cosmology and the Polis. The Social Construction of Space and Time in the Tragedies of Aeschylus. Cambridge. https://doi.org/10.1017/CBO9780511920790
Seidensticker, B. 2010. "Dance in Satyr Play": O. Taplin - R. Wyles (szerk.): The Pronomos Vase and its Context. Oxford, 213-29.
Setti, A. 1948. "Eschilo satirico": ASNP ser. II 17, 1-36.
Siegmann, E. 1948. "Die neuen Aischylos-Bruchstücke": Philogus 97, 59-124. https://doi.org/10.1524/phil.1948.97.jg.59
Slenders, W. 2021. "ΔΙΑΛΑΛΗΣΩΜΕΝ ΤΙ ΣΟΙ: »Colloquialisms« in Satyr Drama": Antonopoulos-Christopoulos-Harrison 2021, 115-140. https://doi.org/10.1515/9783110725230-006
Sommerstein, A. (szerk., ford.) 2008. Aeschylus: Fragments. Aescyhlus III LCL 505. Cambridge, MA - London.
Stark, M. 2012. Ikonographische Untersuchung zu den Darstellungskonzeptionen von Gott und Kind bzw. Gott und Mensch in der griechischen Kunst. Stuttgart.
Steffen, V. 1949. "The Net-Haulers of Aeschylus": The Journal of Juristic Papyrology 3, 119-135.
Sutton, D. F. 1978. "Aeschylus' Dictyulci and Diphilus' Epitrope": CJ 74, 22-25.
Sutton, D. F. 1980. The Greek Satyr Play. Meisenheim am Glan.
Taplin, O. 1977. The Stagecraft of Aeschylus. Oxford.
Thompson, S. 1955-1958. Motif-index of folk-literature. Revised and enlarged edition. Bloomington. https://doi.org/10.2979/2395.0
Touyz, P. 2019. "The Ancient Reception of Aeschylean Satyr Play": BICS 62/2, 97-117. https://doi.org/10.1111/2041-5370.12109
Tsirogiannis, Ch. 2016. "Prompt in Theory and Delay in Practice. A Case Study in Museum Ethics": AP: Online Journal in Public Archaeology 6, 12-25. https://doi.org/10.23914/ap.v6i0.129
Turner, E. G. 1956. "Scribes and Scholars of Oxyrhynchus": Mitteilungen aus der Papyrussammlung Erzherzog Rainer, N.S. 5, 141-46.
Vitelli, G. 1934. "I nuovi frammenti di Eschilo (Νιόβη e Δικτυουλκοί)": Bulletin de la Société Royale d'Archéologie d'Alexandrie 29, 229-248.
Vitelli, G. 1935. Papiri greci e latini XI. Firenze.
Voelke, P. 2001. Un théâtre de la marge. Aspects figuratifs et configurationnels du drame satyrique dans l'Athènes classique. Bari.
Voelke, P. 2021. "Satyr Drama, Dithyramb, and Anodoi": Antonopoulos-Christopoulos-Harrison 2021, 81-99. https://doi.org/10.1515/9783110725230-004
Webster, T. B. L. 1967. Monuments Illustrating Tragedy and Satyr Play. 2nd ed. London.
Werre de Haas, M. 1961. Aeschylus' Dictyulci. An Attempt at Reconstruction of a Satyric Drama. Leiden. https://doi.org/10.1163/9789004430006
Wessels, A. - Krumeich, R. 1999. "Diktyulkoi": KPS 107-124.
Wilamowitz-Moellendorf, U. 1923. Die griechische Tragödie und ihre drei Dichter. Berlin.
Wiles, D. 1997. Tragedy in Athens. Performance Space and Theatrical Meaning. Cambridge. https://doi.org/10.1017/CBO9780511582295
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Ókor. Folyóirat az antik kultúrákról

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.