Escribir desde la prosa, la poesía y la pintura. Los cuentos de Silvina Ocampo

Absztrakt

By not strictly assuming elements of any school or gender, the prose of Silvina Ocampo becomes hybrid, always in constant exploration of the limit. Also, in this study, we will analyze the fluctuation between languages ​​of different genres and arts, the result of which are hybrid texts that subvert all the categorization. In fact, as readers, we doubt about what has happened. This is due to the fact that many of the ocampian tales raise the possibility that they are descriptions of dreams and nightmares, the delusions and hallucinations of a disturbed person or that they are memories that have become diffuse over time as they let the imagination change them. In addition, her practice of various artistic forms created stories, or maybe antistories, in constant movement not only between the real and fantastic, but also between prose, poetry or painting in a permanent desire to explore the limits of language.