La Celestina como hipotexto generador de rupturas narrativas en la literatura hispánica actual: el caso del Manifiesto de Celestina (1995) de Marta Mosquera

Abstract

The Manifiesto de Celestina (1995) written by the Argentinian author Marta Mosquera embodies a real mise en abyme of Rojas’s classic text. The intertextuality with La Celestina creates a series of ruptures within the structure of the novel. In this essay, we will see that the chronotope, the plot and the narrator disperse themselves at the pace of the appearance of more and more quotations from Tragicomedia. We will proceed then to consider their influence on the literary work and the rewriting to which the process of disruptions leads to.