Secrets, Confusions, Narrators, and Spaces: Reflections on the Short Novel The Chase and on the Theses of Ricardo Piglia
DOI:
https://doi.org/10.24029/lejana.2020.13.433Keywords:
Ricardo Piglia, Alejo Carpentier, The Chase, short story, novellaAbstract
The present article takes three texts of theoretical nature by Ricardo Piglia on the genre of the short story and the novella as its basis, in order to apply his affirmations to the observation of a literary work, The Chase of Alejo Carpentier, aiming to see the limitations and the benefits of Piglia’s thesis. The Chase, interpreted here as a novella, is then briefly compared with other Carpenterian works, short stories and a novel, to see how solid the limits are which have been drawn based on Piglia’s ideas with the occasional addition ensuing from contrasting the theses with the literary work.
References
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CHIAMPI, Irlemar (2001): “Barroquismo y afasia en Alejo Carpentier”. En su libro Barroco y modernidad. México, Fondo de Cultura Económica: 98-117.
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PIGLIA, Ricardo (2000): “Tesis sobre el cuento”. Guaraguao. Revista de Cultura Latinoamericana IV/11: 17-19.
PIGLIA, Ricardo (2006): “Secreto y narración. Tesis sobre la nouvelle”. En Eduardo Becerra, El arquero inmóvil. Nuevas poéticas sobre el cuento. Madrid, Páginas de Espuma: 187-205.
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