Vicissitudes of Negation

Authors

DOI:

https://doi.org/10.24029/lejana.2019.12.393

Keywords:

short story, experimental short story, anti-story, genre

Abstract

This paper pretends, starting at David Antin’s considerations, specify, and at the same time extend the frames of the short story. We will examine the different definitions and purposes of the genre according to historical and artistic periods, as we will attempt to detect essential differences between short story, experimental short story, and anti-story, basically comparing anthologies and textual fragments.

References

ANDERSON IMBERT, Enrique (2007): Teoría y técnica del cuento. Barcelona: Ariel. [1979]

ANTIN, David (1987): “The Stranger at the Door”. Disponible en https://www.thing.net/~grist/ld/koppany/antin-e.htm (última consulta: 3/12/2019).

BURGOS, Fernando (ed.) (1997): El cuento hispanoamericano en el siglo XX. Madrid: Castalia.

DOMÍNGUEZ HIDALGO, Antonio (2012): Anticuentos. Ciudad de México: Umbral. [1971]

MILLÁS, Juan José (2001): Anticuentos. Barcelona: Alba.

RODRIGO, Óscar (2017): Anticuento. CreateSpace Independent Publishing Platform, ISBN-10: 1977841732.

SCHOLZ, László (ed.) (2001): Prosas de mareo. Antología del cuento experimental hispanoamericano. Budapest: Eötvös Kiadó.

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Published

2019-10-30

How to Cite

Kutasy, M. “Vicissitudes of Negation”. Lejana. Revista Crítica De Narrativa Breve, no. 12, Oct. 2019, pp. 30-37, doi:10.24029/lejana.2019.12.393.

Issue

No. 12 (2019): El anticuento: la narrativa breve hispánica fuera de moldes

Section

Monographic Articles

License

Copyright (c) 2019 Mercédesz Kutasy

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