Construcción de la identidad como juego especular en ‘El laberinto inundado’ y ‘Narciso y la bestia’ de Alejandro Jodorowsky y François Boucq: el espejo de Tarkovski como término de comparación

Authors

  • Carlos González-Espresati García-Medall Universidad de Valladolid

DOI:

https://doi.org/10.24029/lejana.2010.2.26

Keywords:

punctum, glance, consciousness rising, microtales

Abstract

This paper focuses on the ways that a consciousness of identity arises through the double nature of text and image in El Tesoro de la sombra (1999) and two micro-stories of Jodorowsky and Boucq: ‘El laberinto inundado’ and ‘Narciso y la bestia’. Both stories present a character who is undone as soon as he becomes fully aware of his own identity. Similarly, the analysis of A. Tarkovski's film The mirror explains how visual arts and literature become related, since concept of the human glance also plays a dominant role. The punctum concept stated by R. Barthes in La chamber Claire (1980) guides our theoretical proposals in conjunction with the ‘fascinated glance’ treated by P. Quignard in his Le sexe e l’effroi (2005).

References

BARTHES, Roland (2004): La cámara lúcida, Barcelona Paidós.

BAUDRILLARD, Jean (1978): Cultura y simulacro. Barcelona, Kairós.

BAUDRILLARD, Jean (2000): De la seducción, Madrid, Cátedra.

CARRERA, P. (2008): Andrei Tarkovski. La imagen total. Buenos Aires, Fondo de Cultura Económica.

JODOROWSKY Alejandro y Marcel BOUCQ (1999): El libro de las El tesoro de la sombra. Genève, Les humanoïdes associés.

QUIGNARD, Pasqual. (2005): El sexo y el espanto, Barcelona, Editorial Minúscula.

TARKOVSKI, Andrei (1974): El espejo (Película cinematográfica y Entrevistas a Gregory Yavlisnki y Alexander Misharin Tarkovski. Barcelona, Track Media.

TARKOVSKI, Andrei (1991): Esculpir en el tiempo. Madrid, Rialp.

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Published

2010-10-15

How to Cite

González-Espresati García-Medall, C. “Construcción De La Identidad Como Juego Especular En ‘El Laberinto inundado’ Y ‘Narciso Y La bestia’ De Alejandro Jodorowsky Y François Boucq: El Espejo De Tarkovski Como término De comparación”. Lejana. Revista Crítica De Narrativa Breve, vol. 2, no. 2, Oct. 2010, doi:10.24029/lejana.2010.2.26.

Issue

No. 2 (2010): October 2010

Section

Studies

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