Presentation of the Dossier “Metamorphosis, Animality, and «Unnatural» Voices in Spanish Language Short Fiction”
DOI:
https://doi.org/10.24029/lejana.2026.19.12502Keywords:
metamorphosis, animality, unnatural narratives, short fiction, Argentinean literatureAbstract
The 19th issue of Lejana. Revista Crítica de Narrativa Breve has proposed inviting the academic community to debate and reflect on several possible axes of study of short fiction written in Spanish, including the functions of metamorphosis, as well as the forms, styles, and procedures that these transformations take in literary works. Although this topic has received much critical attention, it has not been widely developed in terms of representations of animals and alongside devices and procedures referred to as “unnatural.” Hence, the objectives of the dossier “Metamorphosis, Animality, and «Unnatural» Voices in Spanish Language Short Fiction” have been, on the one hand, to generate theoretical and critical reflections on the proposed topic and, on the other, to carry out studies on short fiction (from microtextualities to short novels) in which metamorphosis and the animal appear. This text contains an introduction to the topic, as well as a presentation of the nine research articles that make up the dossier.
References
ALBER, Jan (2011): “The Diachronic Development of Unnaturalness: A New View on Genre”. En Jan Alber—Rüdiger Heinze (eds.): Unnatural Narratives—Unnatural Narratology. Berlín, De Gruyter: 41-67. DOI: https://doi.org/10.1515/9783110229042.162 DOI: https://doi.org/10.1515/9783110229042.41
ALBER, Jan—HEINZE, Rüdiger (2011): “Introduction”. En --- (eds.): Unnatural Narratives—Unnatural Narratology. Berlín, De Gruyter: 1-19. DOI: https://doi.org/10.1515/9783110229042.1
ALBER, Jan (2016): Unnatural Narrative. Impossible Worlds in Fiction and Drama. Lincoln, University of Nebraska Press. DOI: https://doi.org/10.2307/j.ctt1d4v147 DOI: https://doi.org/10.2307/j.ctt1d4v147
ALBER, Jan—HEINZE, Rüdiger (2011): “Introduction”. En --- (eds.): Unnatural Narratives—Unnatural Narratology. Berlín, De Gruyter: 1-19. DOI: https://doi.org/10.1515/9783110229042.1 DOI: https://doi.org/10.1515/9783110229042.1
ANDERMANN, Jens (2011): “Tesis sobre la metamorfosis”. Aletria. Revista de Estudios de Literatura, III/21: 155-164. DOI: https://doi.org/10.17851/2317-2096.21.3.155-164 DOI: https://doi.org/10.17851/2317-2096.21.3.155-164
BRAIDOTTI, Rosi (2002): Metamorfosis. Hacia una teoría materialista del devenir. Trad. Ana Varela Mateos. Madrid, Akal.
CARRETERO SANGUINO, Andrea (2024): “La construcción del «cuerpo-para-sí» en la narrativa latinoamericana escrita por mujeres: el deseo abyecto en Jacinta Escudos y Fernanda Melchor”. Orillas, 13: 337-361.
DELEUZE, Gilles—GUATTARI, Félix (2004) [1988]: Mil mesetas. Capitalismo y esquizofrenia. Trad. José Vázquez Pérez. Valencia, Pre-Textos.
FLEISNER, Paula (2023): “Prolegómenos para una cosmoestética materialista posthumana futura”. En Gustavo Chirolla—Ana María Rosas Rodríguez—Héctor Salinas Leal (eds.): Umbrales críticos. Aportes a la pregunta por los límites de lo humano. Bogotá, Editorial Pontificia Universidad Javeriana: 183-204.
GIORGI, Gabriel (2014): Formas comunes. Animalidad, cultura, biopolítica. Buenos Aires, Eterna Cadencia.
HARAWAY, Donna (2019) [2016]: Seguir con el problema: generar parentesco en el Chthuluceno. Trad. Helen Torres. Bilbao, Consonni.
IVERSEN, Stefan (2012): “Unnatural Minds”. En Jan Alber—Henrik Skov Nielsen—Brian Richardson (eds.): A Poetics of Unnatural Narrative. Columbus, The Ohio State University Press: 94-112.
RICHARDSON, Brian (2011): “What Is Unnatural Narrative Theory?” En Jan Alber—Rüdiger Heinze (eds.): Unnatural Narratives—Unnatural Narratology. Berlín, De Gruyter: 23-40. DOI: https://doi.org/10.1515/9783110229042.23 DOI: https://doi.org/10.1515/9783110229042.23
MACCIONI, Laura (2012): “Errar en el monte, ser Nadie: La huida como revolución en «Bestial entre las flores» de Reinaldo Arenas”. En Juan Carlos Quintero-Herencia (ed.): Caribe abierto. Ensayos críticos. Pittsburgh, Serie Nueva América: 183-196. DOI: https://doi.org/10.2307/jj.39017734.12 DOI: https://doi.org/10.2307/jj.39017734.12
MASSEY, Irving (1976): The Gaping Pig. Literature and Metamorfosis. Berkeley, University of California Press.
NIELSEN, Henrik Skov (2016): “Broken Narratives, Unnatural Narratology, and Unnaturalizing Strategies: Theoretische Positionen und Anwendungen”. En Anna Babka—Marlen Bidwell-Steiner—Wolfgang Müller-Funk (eds.): Narrative im Bruch. Theoretische Positionen und Anwendungen. Viena, Vienna University Press: 87-106. DOI: https://doi.org/10.14220/9783737005968.87 DOI: https://doi.org/10.14220/9783737005968.87
SEGARRA, Marta (2022): Humanimales. Abrir las fronteras de lo humano. Barcelona, Galaxia Gutenberg.
YELIN, Julieta (2015a): “Kafka y el ocaso de la metáfora animal. Notas sobre la voz narradora en «Investigaciones de un perro»”. Anclajes, XV/1: 81-93.
YELIN, Julieta (2015b): “Hablar el animal. Las performances kafkianas”. La letra salvaje. Ensayos sobre literatura y animalidad. Rosario, Beatriz Viterbo, 59-97. DOI: https://doi.org/10.26754/ojs_tropelias/tropelias.201523746 DOI: https://doi.org/10.26754/ojs_tropelias/tropelias.201523746
YELIN, Julieta (2017): “Breve estado de la cuestión animal”. Perífrasis. Revista de Literatura, Teoría y Crítica, XV/8: 29-43. DOI: https://doi.org/10.25025/perifrasis201781502 DOI: https://doi.org/10.25025/perifrasis201781502
YELIN, Julieta (2020): Biopoéticas para las biopolíticas. El pensamiento literario latinoamericano ante la cuestión animal. Pittsburgh, Latin America Research Commons. DOI: https://doi.org/10.25154/book4 DOI: https://doi.org/10.25154/book4
WOLFE, Cary (2003): Animal Rites. American Culture, the Discourse of Species and Posthumanist Theory. Chicago, University of Chicago Press. DOI: https://doi.org/10.7208/chicago/9780226905129.001.0001 DOI: https://doi.org/10.7208/chicago/9780226905129.001.0001
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Ludmila Soledad Barbero, Petra Báder

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Work submitted for publication must be original, previously unpublished in any other journal, either digital or print media. LEJANA does not necessary share the opinion of its authors, for that the one and only responsible are their same authors. The Copyright is exclusive property of their authors. The total or partial reproduction of works published in LEJANA should follow the norms established by CC BY-NC-ND 4.0 Licencia Internacional.


