La narrativa reciente en México y el arte conceptual. Óptica sanguínea de Daniela Bojórquez
DOI:
https://doi.org/10.24029/lejana.2016.9.110Keywords:
Mexican narrative, conceptual art, technique, Walter Benjamin, artist’s booksAbstract
This article explores various aspects of reading narrative forms that assimilate the visual and the verbal in short literary pieces written in Mexico. In the conceptual ground, notions as conceptualism, intermediality and performance become descriptive tools of these rare books; but above all, in a more complex analysis field, Walter Benjamin’s notion of technique is substantive to explore these aesthetic forms. Our study takes as example the book Óptica sanguínea de Daniela Bojórquez (Mexico City, 1980).
References
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