Benedetta Cappa Marinetti e Růžena Zàtkovà: due futuriste tra sperimentalismo e teosofia
DOI:
https://doi.org/10.58849/italog.2023.CIGParole chiave:
Benedetta Cappa Marinetti, Růžena Zàtkovà, Filippo Tommaso Marinetti, Giacomo Balla, Arnaldo Ginna, Umberto Boccioni, “L’Italia futurista”, theosophy, Annie Besant, Charles W. Leadbeater, experimental novelAbstract
Benedetta Cappa (1897–1977), wife of Filippo Tommaso Marinetti and a pupil of Giacomo Balla, was an artist, a writer, a theorist who made a significant contribution to the history of the avant-garde and to the artistic research of the early Twentieth Century. His pictorial and literary production is nourished by a strong idealistic aspiration, which finds support and inspiration in the
contemporary milieu of esoteric irrationalism, whose different currents were well known even by many futurists. She herself, moreover, since her formative years, was in close contact with environments and personalities permeated with theosophical ideals, especially, among others, with the Bohemian artist Růžena Zàtkovà and with Balla himself.